Yazar "Sokhanpardaz, Kamran" seçeneğine göre listele

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    An Epigraphic Study of Inscriptions on Fourteen Museum Objects Previously Unread
    (Bayburt University, 2026) Sokhanpardaz, Kamran; Sahafıasl, Parisa
    This study presents a comprehensive epigraphic analysis of the inscriptions on fourteen previously unread museum objects held in various collections worldwide. The research aims to examine the textual, linguistic, and material characteristics of these inscriptions and to situate them within broader cultural and historical contexts. The study employs a three-stage research framework based on philological and comparative methods. In the first stage, the inscriptions are documented in detail. In the second stage, they are transcribed with attention to orthography, grammar, lexical usage, and stylistic features, and subsequently analysed from both linguistic and codicological perspectives. In the third stage, the transcribed texts are systematically compared with literary, religious, and poetic sources. The analyses reveal that many inscriptions exhibit deviations from canonical texts, either deliberately or for practical reasons. Orthographic inconsistencies, omissions, and rearrangements are widespread in Islamic objects. These findings demonstrate that inscriptions are not passive reproductions of canonical texts, but rather dynamic cultural products that reflect the aesthetic and interpretive choices of artisans, calligraphers, and patrons.
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    THE STUDY OF THE INSTANCES OF PHILOSOPHICAL THOUGHTS AND TECHNOLOGICAL DEVELOPMENTS IN THE WORKS OF CONTEMPORARY VISUAL ARTISTS
    (Bayburt Üniversitesi, 2024) Sokhanpardaz, Kamran; Sahafıasl, Parisa
    This article delves into the intricate interconnections among philosophy, science, and art throughout the course of history, with particular emphasis on contemporary visual artists. In the realm of contemporary art, the demarcation between philosophy and science has become increasingly blurred, as numerous artists embark upon explorations that intersect these disciplines. The article's objective is to undertake a comprehensive investigation into the impact of philosophy and science on the artistic works of fifteen internationally acclaimed contemporary artists. Employing qualitative analysis, an extensive review of relevant literature, and a meticulous examination of artists' statements and critical reception, this study endeavours to elucidate insights into the dynamic relationship between philosophy, science, and art in the realm of contemporary artistic expression. The artists such as Olafur Eliasson, Anicka Yi, M.C. Escher, James Turrell, Richard Serra, Mark Dion, Yves Klein, Robert Rauschenberg, Yayoi Kusama, Ana Mendieta, Damien Hirst, William Kentridge, Ai Weiwei, Jenny Holzer, Gerhard Richter, Patricia Piccinini, Kara Walker, Dorothy Cross, John Gerrard, and Christine Borland exemplify this fusion, seamlessly integrating philosophical and scientific concepts into their artistic endeavours. By exploring diverse domains such as perception, reality, ecology, identity, mathematics, and other arenas, these artists adopt a multidisciplinary approach that fosters intellectual contemplation and captivating sensory experiences. Through the harmonization of philosophy and science, they actively challenge established conventions, thereby broadening and enriching our comprehension of the world at large.