İmdat Sancar and Bayburt Sağdıç (Best man’s) Weddings as Cultural Heritage

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dc.contributor.authorKabak, Turgay
dc.date.accessioned2026-02-28T12:09:12Z
dc.date.available2026-02-28T12:09:12Z
dc.date.issued2023
dc.departmentBayburt Üniversitesi
dc.description.abstractBayburt, geographically located on the historical Silk Road that connects the Eastern Black Sea region with the Northeastern Anatolia region, is one of the ancient cities in the region. Throughout history, due to its location on the trade route, this city has been continuously inhabited, and it possesses a rich and deep cultural heritage. This cultural heritage, although constantly evolving in today’s digital world with rapid advancements in transportation and communication, has been largely preserved and passed down to the present day. In this regard, one of the most special cities in our country, Bayburt, has greatly benefited from individuals who both understand and actively preserve its culture. One of these individuals is İmdat Sancar. İmdat Sancar is one of the rare individuals who fit UNESCO’s definition of “culture bearers” with his knowledge of traditional folk songs, the songs he has composed, his participation in folk music events, and the traditional “sağdıç düğünü” (best man’s wedding) ceremonies he organizes. His special quality lies not only in his knowledge of the culture but also in his ability to actively practice and pass it on to others. The subject of this study is the traditional “sağdıç düğünü” (best man’s wedding) ceremonies known by İmdat Sancar. These ceremonies are actually categorized as village performance plays, falling within the realm of theatrical performances. These plays were collected from İmdat Sancar himself using interview methods and were analyzed from the perspective of Functional Theory. Content analysis was also conducted. As a result of the examination, it was determined that these plays serve various functions within the community and encompass a wealth of traditional knowledge and practices that are integral to people’s daily lives. © 2023 Goce Delchev University of Shtip. All rights reserved.
dc.identifier.doi10.46763/PALIM23816117k
dc.identifier.endpage127
dc.identifier.issn2545398X
dc.identifier.issue16
dc.identifier.scopus2-s2.0-85182568605
dc.identifier.scopusqualityQ4
dc.identifier.startpage117
dc.identifier.urihttps://doi.org/10.46763/PALIM23816117k
dc.identifier.urihttps://hdl.handle.net/20.500.12403/5869
dc.identifier.volume8
dc.indekslendigikaynakScopus
dc.language.isotr
dc.publisherGoce Delchev University of Shtip
dc.relation.ispartofPalimpsest
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccess
dc.snmzKA_Scopus_20260218
dc.subjectBayburt
dc.subjectbest man’s wedding
dc.subjectculture bearer
dc.subjecttheatrical village play
dc.titleİmdat Sancar and Bayburt Sağdıç (Best man’s) Weddings as Cultural Heritage
dc.title.alternativeBİR KÜLTÜR TAŞIYICISI BİREY OLARAK İMDAT SANCAR VE BAYBURT SAĞDIÇ DÜĞÜNLERİ
dc.typeArticle

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